S U B S T A N C E 90
Vol. 28, no. 3, 1999 [Full Text*]
Special Issue: Guy Debord edited by Pierpaolo Antonello and Olga Vasile
Roberto Ohrt on Debord, Stephen Hastings-King on l’Internationale Situationniste, Allyson Field on Discrepant Cinema, Odile Passot on the Novels of Michèle Bernstein, Mario Perniola on Debord’s Aesthetics, Anselm Jappe on “The End of Art,” Steven Best and Douglas Kellner on Cybersituations, Asger Jorn on the Problem of the Accursed
| Guy Debord Editors: Pierpaolo Antonello and Olga Vasile |
| Introduction Pierpaolo Antonello and Olga Vasile |
| The Master of the Revolutionary Subject: Some Passages from the Life of Guy Debord Roberto Ohrt translated by Ronald Helstad |
| L’Internationale Situationniste, Socialisme ou Barbarie, and the Crisis of the Marxist Imaginary Stephen Hastings-King |
| Hurlements en faveur de Sade: The Negation and Surpassing of “Discrepant Cinema” Allyson Field |
| Portrait of Guy Debord as a Young Libertine Odile Passot |
| An Aesthetic of the Grand Style: Guy Debord Mario Perniola translated by Olga Vasile |
| Sic Transit Gloria Artis: “The End of Art” for Theodor Adorno and Guy Debord Anselm Jappe translated by Donald Nicholson-Smith |
| Debord, Cybersituations, and the Interactive Spectacle Steven Best and Douglas Kellner |
Appendix Guy Debord and the Problem of the Accursed Asger Jorn translated by Roxanne Lapidus |
Reviews Balutansky, Kathleen M. and Marie-Agnès Sourieau, eds. Caribbean Creolization: Reflections on the Cultural Dynamics of Language, Literature, and Identity. Reviewed by Aletha D. Stahl. Bronner, Stephen Eric. Camus: Portrait of a Moralist. Reviewed by Steven Hartlaub. Derrida, Jacques. Monolingualism of the Other; or, the Prosthesis of Origin. Reviewed by Didier Maleuvre. Sawelson-Gorse, Naomi, ed. Women in Dada: Essays on Sex, Gender, and Identity. Reviewed by Katharine Conley. |
*The full text is available through your library’s subscription to Project MUSE
