S U B S T A N C E 108
Volume 34, Number 2, 2005[Full Text*]
French Cinema Studies
1920s to the Present
Le Cinéma du diable: Jean Epstein
and the Ambiguities of Subversion
Ludovic Cortade
Roland Barthes’s Cold-War Cinema
Philip Watts
Godard, Rohmer, and Rancière’s Phrase-Image
Aimée Israel-Pelletier
The Prescience of Élie Faure
Margaret C. Flinn
Alchemies of Thought in Godard’s
Cinema: Deleuze and Merleau-Ponty
Elena del Rio
The Woodcutter’s Gaze:
Luc Moullet and Cahiers du Cinéma
Sam DiIorio
Cinema and its Discontents:
Jacques Rancière and Film theory
Tom Conley
Typewriter: Free Indirect Discourse
in Deleuze’s Cinema
Louis-Georges Schwartz
REVIEWS
Brun, Catherine. Pierre Guyotat: Essai Biographique
Reviewed by Stuart Kendall
Frawley, William J., ed. International Encyclopedia of Linguistics,
2nd edition.
Reviewed by Laurence M. Porter
Montémont, Véronique. Jacques Roubaud: l’amour du nombre
Reviewed by Peter Consenstein
*The full text is available through your library’s subscription to Project MUSE
