http://www.french-ital.ucsb.edu/substance/recenthtml/ http://www.french-ital.ucsb.edu/substance/recenthtml/#comments Sun, 05 Mar 2006 20:16:48 +0000 slevy OLD http://www.french-ital.ucsb.edu/substance/recenthtml/ SUBSTANCE is a major interdisciplinary journal with a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SUBSTANCE who enjoy crossing borders and challenging limits.

“. . . one of the most influential journals of theory and criticism in the United States.”
—Le Monde
“. . .a bold venture, high and serious in quality . . . highly recommended for all academic libraries offering work in language and literature . . . equally recommended to individuals interested in a contemporary and highly sophisticated approach to the study of literature.”
—Library Journal

SUBSTANCE is published by the University of Wisconsin Press and edited at the University of California at Santa Barbara with the support of the College of Letters and Science and the Department of French and Italian. ]]> http://www.french-ital.ucsb.edu/substance/recenthtml/feed/ http://www.french-ital.ucsb.edu/substance/indexhtm/ http://www.french-ital.ucsb.edu/substance/indexhtm/#comments Sat, 04 Mar 2006 21:12:09 +0000 slevy OLD http://www.french-ital.ucsb.edu/substance/indexhtm/ SUBSTANCE is a major interdisciplinary journal with a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SUBSTANCE who enjoy crossing borders and challenging limits.

“. . . one of the most influential journals of theory and criticism in the United States.”
—Le Monde
“. . .a bold venture, high and serious in quality . . . highly recommended for all academic libraries offering work in language and literature . . . equally recommended to individuals interested in a contemporary and highly sophisticated approach to the study of literature.”
—Library Journal

SUBSTANCE is published by the University of Wisconsin Press and edited at the University of California at Santa Barbara with the support of the College of Letters and Science and the Department of French and Italian. ]]> http://www.french-ital.ucsb.edu/substance/indexhtm/feed/ http://www.french-ital.ucsb.edu/substance/indexhtml/ http://www.french-ital.ucsb.edu/substance/indexhtml/#comments Sat, 04 Mar 2006 20:50:25 +0000 slevy OLD http://www.french-ital.ucsb.edu/substance/indexhtml/ SUBSTANCE is a major interdisciplinary journal with a long-standing reputation for publishing innovative work on literature and culture. While its main focus has been on French literature and continental theory, the journal is known for its openness to original thinking in all the discourses that interact with literature, including philosophy, natural and social sciences, and the arts. Join the discerning readers of SUBSTANCE who enjoy crossing borders and challenging limits.

“. . . one of the most influential journals of theory and criticism in the United States.”
—Le Monde
“. . .a bold venture, high and serious in quality . . . highly recommended for all academic libraries offering work in language and literature . . . equally recommended to individuals interested in a contemporary and highly sophisticated approach to the study of literature.”
—Library Journal

SUBSTANCE is published by the University of Wisconsin Press and edited at the University of California at Santa Barbara with the support of the College of Letters and Science and the Department of French and Italian. ]]> http://www.french-ital.ucsb.edu/substance/indexhtml/feed/ http://www.french-ital.ucsb.edu/substance/s-u-b-s-t-a-n-c-e-108/ http://www.french-ital.ucsb.edu/substance/s-u-b-s-t-a-n-c-e-108/#comments Sun, 05 Feb 2006 23:07:16 +0000 rlapidus Back Issues http://www.french-ital.ucsb.edu/substance/new/s-u-b-s-t-a-n-c-e-108/ Volume 34, Number 2, 2005[Full Text*]

French Cinema Studies
1920s to the Present

Le Cinéma du diable: Jean Epstein
and the Ambiguities of Subversion
Ludovic Cortade

Roland Barthes’s Cold-War Cinema
Philip Watts

Godard, Rohmer, and Rancière’s Phrase-Image
Aimée Israel-Pelletier

The Prescience of Élie Faure
Margaret C. Flinn

Alchemies of Thought in Godard’s
Cinema: Deleuze and Merleau-Ponty
Elena del Rio

The Woodcutter’s Gaze:
Luc Moullet and Cahiers du Cinéma
Sam DiIorio

Cinema and its Discontents:
Jacques Rancière and Film theory
Tom Conley

Typewriter: Free Indirect Discourse
in Deleuze’s Cinema
Louis-Georges Schwartz

REVIEWS

Brun, Catherine. Pierre Guyotat: Essai Biographique
Reviewed by Stuart Kendall

Frawley, William J., ed. International Encyclopedia of Linguistics,
2nd edition.
Reviewed by Laurence M. Porter

Montémont, Véronique. Jacques Roubaud: l’amour du nombre
Reviewed by Peter Consenstein

*The full text is available through your library’s subscription to Project MUSE

General issue:
On clairvoyance, ocular pathology, surrealism, minimalism,
Deleuze and Adorno, The Big Lebowski, and Blanchot

Just Figures? Forensic Clairvoyance,
Mathematics, and the Language Question
Vicki Kirby

The Yellow Spot: Ocular Pathology and
Empirical Method in Gaston Leroux’s
de la chambre jaune
Andrea Goulet

The Futures of Surrealism: Hegelianism,
Romanticism, and the Avant-Garde
David Cunningham

Enough of This So-Called Minimalist Poetry
Jan Baetens, translated by Scott Kushner

Expulsion of the Negative: Deleuze, Adorno,
and the Ethics of Internal Difference
Nick Nesbitt

“This Aggression Will Not Stand”: Myth, War, and Ethics
in The Big Lebowski
Todd A Comer

Blanchot on Dreams and Writing
Herschel Farbman

REVIEWS
Braider, Christopher. Indiscernible Counterparts:
The Invention of the Text in French Classical Drama
Reviewed by Roland Racevskis

Oliver, Kelly. Witnessing: Beyond Recognition
Reviewed by Marjorie Jolles

Prendergast, Christopher. The Triangle of Representation
Reviewed by Lawrence R. Schehr

Slack, Jennifer Daryl, ed. Animations of Deleuze and Guattari
Reviewed by Eugene W. Holland

Smyth, John Vignaux. The Habit of Lying: Sacrificial Studies
in Literature, Philosophy, and Fashion Theory
Reviewed by Laurence M. Porter

*The full text is available through your library’s subscription to Project MUSE

Foreword: Derrida and SubStance
Michel Pierssens and Sydney Lévy

“Alors, qui êtes-vous?” Jacques Derrida and
the Question of Hospitality
Michael Naas

After Derrida
Christian Delacampagne,
David Bell, tr.

Derrida: Notes Toward a Memoir
Jeffrey Mehlman

Milah: A Counter-Obituary for Jacques Derrida
Inge-Birgitte Siegumfeldt

Derrida: la Vie et l’Oeuvre
Bruno Clément, David Bell, tr.

“Deconstruction is Justice”
Elisabeth Weber

Derrida’s Hamlet
Christopher Prendergast

Remembering Derrida
Mario Perniola, Deborah Amberson, tr.

De-Facing Derrida
Gregg Lambert

Jacques Derrida or the Gift of
Writing — When Something Happens
David Carroll

Passages: In Lieu of Flowers
Jeffrey Nealon (Jeffrey Thomas) and
Richard Doyle

Memory, Media, Art
Guest-Editors: Marie-Pascale Huglo
& Johanne Villeneuve

Introduction: Memory, Media, Art
Marie-Pascale Huglo and Johanne Villeneuve

From Interests to Inter-esse: Jean-Luc Nancy
on Deglobalization and Sovereignty
Henk Oosterling

In media res: Interceptions of the Work of Art and
the Political in Jean-Luc Nancy
Ginette Michaud, Roxanne Lapidus, tr.

Passing Time in Intercultural Cinema:
The Exilic Experience of the Time-Passer in
Atom Egoyan’s Calendar (1993)
Tollof Nelson

Immediacy and Forgetting
Eric Méchoulan, Roxanne Lapidus, tr.

Experience and Memory in the Films of Wim Wenders
Silvestra Mariniello, James Cisneros, tr.

Reviews
Baer, Ulrich. Remnants of Song: Trauma and the Experience of
Modernity in Charles Baudelaire and Paul Celan
Reviewed by Sam Bloom

Bourdieu, Pierre. Esquisse pour une auto-analyse
Reviewed by Vincent Leitch

Dobie, Madeleine. Foreign Bodies: Gender, Language, and
Culture in French Orientalism
Reviewed by Jane Bradley Winston

Marder, Elissa. Dead Time: Temporal Disorders in the Wake of Modernity (Baudelaire and Flaubert)
Reviewed by Elisabeth Ladenson

Motte, Warren F. Fables of the Novel: French Fiction Since 1990
Reviewed by Jordan Stump

*The full text is available through your library’s subscription to Project MUSE

Overload
Edited by
David F. Bell

With contributions by Roberto M. Dainotto, Franc Schuerewegen, Marcel O’Gorman, James Tweedie, Daniel Punday, Pierre Laszlo, Lawrence R. Schehr, David F. Bell

Introduction: Overload
David F. Bell

Goethe’s Backpack
Roberto M. Dainotto

To Hate Shepherds: On a J. Verne Story
Franc Schuerewegen

American Beauty Busted:
Necromedia and Domestic Discipline
Marcel O’Gorman

The Afterlife of Art and Objects:
Alain Cavalier’s Thérèse
James Tweedie

Involvement, Interruption, and
Inevitability: Melancholy as an
Aesthetic Principle in Game Narratives
Daniel Punday

Nothing Added, Nothing Subtracted
Pierre Laszlo

The Last Straw
Lawrence R. Schehr

Infinite Archives
David F. Bell

REVIEWS

Conley, Katharine. Robert Desnos, Surrealism,
and the Marvelous in Everyday Life
Reviewed by Charles Nunley

Donadey, Anne. Recasting Postcolonialism:
Women Writing Between Worlds
Reviewed by John Erickson

Minnis, Alastair. The “Roman de la Rose”
and Vernacular Hermeneutics
Reviewed by Noah D. Guynn

Prieto, Eric. Listening In: Music, Mind,
and the Modernist Narrative
Reviewed by Armine Kotin Mortimer

Schehr, Lawrence R. Figures of Alterity: French Realism
and Its Others
Reviewed by Denis M. Provencher

*The full text is available through your library’s subscription to Project MUSE

Lydie Salvayre
Introduction: The Art of War
According to Lydie Salvayre
Marie-Pascale Huglo

Refutation
Lydie Salvayre

Voices in Her Head
Warren Motte

Droll Lectures
Jean-Yves Lazennec

“Je contre”: Tangential Speech in the
Writings of Lydie Salvayre
Brigitte Faivre-Duboz

Report on Lydie Salvayre’s
Subversive Classicism
Eric Méchoulan

Lydie Salvayre: A Bibliography

Other Articles:
The Spatial Dialectics of Authenticity
Amir Ameri

Image and Intuition in Beckett’s Film
Anthony Uhlmann

Digitizing the Racialized Body
Mark B.N. Hansen

A Nonhuman Eye: Deleuze on Cinema
Temenuga Trifonova

REVIEWS
Deleuze, Gilles, ed. David Lapoujade
L’île déserte et autres textes
Reviewed by Charles J. Stivale

Engleberts, Matthijs
Défis du récit scénique
Reviewed by Thomas Armbrecht

Hayes, Jarrod.
Queer Nations: Marginal Sexualities in the Maghreb
Reviewed by Martine Antle

Rosello, Mireille
Postcolonial Hospitality
Reviewed by Dayna Oscherwitz

Stivale, Charles J.
Disenchanting Les Bons Temps
Reviewed by Tom Conley.

*The full text is available through your library’s subscription to Project MUSE