S U B S T A N C E 90
Vol. 28, no. 3, 1999 [Full Text*]
Special Issue: Guy Debord edited by Pierpaolo Antonello and Olga Vasile
Roberto Ohrt on Debord, Stephen Hastings-King on l’Internationale Situationniste, Allyson Field on Discrepant Cinema, Odile Passot on the Novels of Michèle Bernstein, Mario Perniola on Debord’s Aesthetics, Anselm Jappe on “The End of Art,” Steven Best and Douglas Kellner on Cybersituations, Asger Jorn on the Problem of the Accursed
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